Gretchen Wagner

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	<title>Gretchen Wagner</title>
	<link>https://gretchen-wagner.com</link>
	<description>Gretchen Wagner</description>
	<pubDate>Fri, 30 Oct 2026 13:50:06 +0000</pubDate>
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		<title>DESIGN MIAMI PARIS 2026</title>
				
		<link>https://gretchen-wagner.com/DESIGN-MIAMI-PARIS-2026</link>

		<pubDate>Fri, 30 Oct 2026 13:50:06 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/DESIGN-MIAMI-PARIS-2026</guid>

		<description>
	SCAD at DESIGN MIAMI.PARIS 2026


Oct 20 - 25

SCAD is the official university partner of DESIGN MIAMI.PARIS.
The installation explores material transformation through the manipulation of paper into a series of suspended forms. Seventeen pleated paper sculptures are distributed throughout a vertical space, each embodying a fluted, column-like presence. Repeated vertical folds give the paper an architectural quality, shifting it from a familiar and delicate material into something dimensional and structured.


The forms are suspended separately, punctuating the space while visually overlapping from different viewpoints. Beads positioned along the folds help hold and articulate the forms. When light falls across the folded surfaces, it produces&#38;nbsp; layered shadows and subtle shifts in color and depth. Up close, the individual pleats, beads, and variations in each sculpture reveal the process and material logic used to construct the work.


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		<title>BECOMING</title>
				
		<link>https://gretchen-wagner.com/BECOMING</link>

		<pubDate>Sat, 17 Oct 2026 02:07:29 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/BECOMING</guid>

		<description>
	BECOMING at Spalding Nix Fine Art


September 18 - November 13, 2026

Browse and purchase works from the exhibition HERE.“Color Interaction VI” is the latest iteration in an ongoing investigation of how color responds when it is asked to occupy three dimensional space.


The works are pleated and trimmed to create a directional shift in color. This subtle movement is interrupted with each pleat, punctuating an otherwise continuous gradient into distinct color swatches.

Anchored by a glass bead, each fold becomes structural as well as optical. The surface alternates between peaks and valleys, absorbing and reflecting light. In these moments, each pleat functions as small lightwell, where color compresses and briefly destabilizes.


https://spaldingnixfineart.com/show/spalding-nix-fine-art-de-novo

	
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		<title>Color Interaction VI</title>
				
		<link>https://gretchen-wagner.com/Color-Interaction-VI</link>

		<pubDate>Thu, 16 Jul 2026 01:40:16 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/Color-Interaction-VI</guid>

		<description>
	Color Interaction VI, 2026


Color Interaction VI, Magenta, 2026Color Interaction VI, Cyan, 2026Color Interaction VI, Yellow, 2026


manipulated paper, glass beads, nylon


27 x 36 inches


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		<title>Color Interaction VI - Small Works</title>
				
		<link>https://gretchen-wagner.com/Color-Interaction-VI-Small-Works</link>

		<pubDate>Thu, 16 Jul 2026 01:59:41 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/Color-Interaction-VI-Small-Works</guid>

		<description>
	Color Interaction VI at RAM GalleryOpening ReceptionThursday, 5 MAR, 6-8 PM


manipulated paper, glass beads, nylon


9 x 12 inches


This series is structured through a fixed set of material variables involving paper, printed color, and beadwork. Each work shares the same dimensions and construction, with the paper folded into a three-dimensional pleated form.


Color Interaction VI uses twelve paper stocks selected from GF Smith’s Colorplan collection. Each sheet is printed with one of three gradients (cyan, magenta, or yellow) and then embellished with one of twelve different colors of Japanese glass seed beads. Through these controlled variations, the works examine how color transforms depending on surface and ligh

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&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/dc8e3db6c05a184284c8ba5f10937744f712bf11afa027fe556ce09bf7a46af4/Color-Interaction-VI_0001s_0000_Yellow-1.jpg" data-mid="250500690" border="0"  src="https://freight.cargo.site/w/1000/i/dc8e3db6c05a184284c8ba5f10937744f712bf11afa027fe556ce09bf7a46af4/Color-Interaction-VI_0001s_0000_Yellow-1.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/43f3f86c25bc06c6d9107d7931037f6d17aa3d3f0e4850164f2638985ec58480/Color-Interaction-VI_0001s_0001_Yellow-2.jpg" data-mid="250500691" border="0"  src="https://freight.cargo.site/w/1000/i/43f3f86c25bc06c6d9107d7931037f6d17aa3d3f0e4850164f2638985ec58480/Color-Interaction-VI_0001s_0001_Yellow-2.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/7601ba8d233dcbaf47891c25f460e73cb509344f791a504876c2953876c8b57d/Color-Interaction-VI_0001s_0002_Yellow-3.jpg" data-mid="250500692" border="0"  src="https://freight.cargo.site/w/1000/i/7601ba8d233dcbaf47891c25f460e73cb509344f791a504876c2953876c8b57d/Color-Interaction-VI_0001s_0002_Yellow-3.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/e89e20973c29b53432db137bd5884008b15ab9203431e7dd5df2fe2f42f46206/Color-Interaction-VI_0001s_0003_Yellow-4.jpg" data-mid="250500693" border="0"  src="https://freight.cargo.site/w/1000/i/e89e20973c29b53432db137bd5884008b15ab9203431e7dd5df2fe2f42f46206/Color-Interaction-VI_0001s_0003_Yellow-4.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/ddf7daa520c11a19fd542332f3acd7cd33a59113a9f92330c8721985259248b5/Color-Interaction-VI_0001s_0004_Yellow-5.jpg" data-mid="250500694" border="0"  src="https://freight.cargo.site/w/1000/i/ddf7daa520c11a19fd542332f3acd7cd33a59113a9f92330c8721985259248b5/Color-Interaction-VI_0001s_0004_Yellow-5.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/adc3bb0425dc5b4e402f0c052f025e6002d4e5cfc6b9481b372c85d92c1c7d8b/Color-Interaction-VI_0001s_0005_Yellow-6.jpg" data-mid="250500695" border="0"  src="https://freight.cargo.site/w/1000/i/adc3bb0425dc5b4e402f0c052f025e6002d4e5cfc6b9481b372c85d92c1c7d8b/Color-Interaction-VI_0001s_0005_Yellow-6.jpg" /&#62;
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&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/c8d74b3673f1c9f60631eb8f0f14d78d35f7a1e7ae289b844f2e139e7388780f/Color-Interaction-VI_0001s_0010_Yellow-11.jpg" data-mid="250500700" border="0"  src="https://freight.cargo.site/w/1000/i/c8d74b3673f1c9f60631eb8f0f14d78d35f7a1e7ae289b844f2e139e7388780f/Color-Interaction-VI_0001s_0010_Yellow-11.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/7d31e869b62e045a2472ff557ec84b71f3fb3caf97d2ace3926d60857286e284/Color-Interaction-VI_0001s_0011_Yellow-12.jpg" data-mid="250500701" border="0"  src="https://freight.cargo.site/w/1000/i/7d31e869b62e045a2472ff557ec84b71f3fb3caf97d2ace3926d60857286e284/Color-Interaction-VI_0001s_0011_Yellow-12.jpg" /&#62;
&#60;img width="2668" height="3556" width_o="2668" height_o="3556" data-src="https://freight.cargo.site/t/original/i/fa8222e48035b0afc8bd9867b301e6814fcdf18cc30599866ed24fa5ed868d3c/Color-Interaction-VI_0002s_0000_Cyan-1.jpg" data-mid="250500702" border="0"  src="https://freight.cargo.site/w/1000/i/fa8222e48035b0afc8bd9867b301e6814fcdf18cc30599866ed24fa5ed868d3c/Color-Interaction-VI_0002s_0000_Cyan-1.jpg" /&#62;


</description>
		
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	<item>
		<title>CMY(K) Series</title>
				
		<link>https://gretchen-wagner.com/CMY-K-Series</link>

		<pubDate>Thu, 16 Jul 2026 02:10:46 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/CMY-K-Series</guid>

		<description>
	CMY(K), 2024


woven paper, glass beads, nylon


CMY(K) explores the collaboration between machine precision and handmade construction. Each work begins with GF Smith Colorplan paper digitally printed with a transparent gradient of cyan, magenta, or yellow, the three primary colors of subtractive process printing. The paper is then cut into strips and reassembled through a plain weave, allowing printed color and paper color to intersect across a shifting grid.


The series relies on pure process color as a controlled variable. New colors emerge through overlap and optical mixing, placing the final image partly in the eye of the viewer. Inspired by the perceptual strategies of 1960s Op Art, the works change with distance and angle. Areas that initially appear stable dissolve into layered fields of color and movement.


Japanese glass seed beads are embroidered through the paper to secure the woven structure. Their color shifts in relation to the surrounding field, complicating the distinction between material color, printed color, and perceived color. The open square formed by the embroidery functions as a viewfinder, revealing the original woven surface beneath.

Through digital printing and techniques in textile fabrication / ornament, CMY(K) brings traditional hand processes into conversation with digital tools. The works invite sustained looking, revealing color as unstable and relative.

Exhibited at the 2024 Atlanta Art Fair for SCAD Art Sales.

	&#60;img width="2816" height="3664" width_o="2816" height_o="3664" data-src="https://freight.cargo.site/t/original/i/bbc715ed0c705db0afd88a7ee27fe72bb293ed9b5dbbba7eb82d110bae2efeb3/Cyan-I_Detail-1_Cropped.jpg" data-mid="250454231" border="0"  src="https://freight.cargo.site/w/1000/i/bbc715ed0c705db0afd88a7ee27fe72bb293ed9b5dbbba7eb82d110bae2efeb3/Cyan-I_Detail-1_Cropped.jpg" /&#62;


&#60;img width="2609" height="3296" width_o="2609" height_o="3296" data-src="https://freight.cargo.site/t/original/i/91e7d38b88bde464f267db18c0762a949a82c4377b6014f29c2878c18287aa77/GWagner_Alternate-Image-2.jpg" data-mid="250470127" border="0"  src="https://freight.cargo.site/w/1000/i/91e7d38b88bde464f267db18c0762a949a82c4377b6014f29c2878c18287aa77/GWagner_Alternate-Image-2.jpg" /&#62;
&#60;img width="2609" height="3296" width_o="2609" height_o="3296" data-src="https://freight.cargo.site/t/original/i/5f81862473fd31cb1ed948cf2f7bc133988e4a4d4d27dc39a8bbaa3e17b96a27/GWagner_Alternate-Image-1.jpg" data-mid="250470126" border="0"  src="https://freight.cargo.site/w/1000/i/5f81862473fd31cb1ed948cf2f7bc133988e4a4d4d27dc39a8bbaa3e17b96a27/GWagner_Alternate-Image-1.jpg" /&#62;
&#60;img width="2609" height="3296" width_o="2609" height_o="3296" data-src="https://freight.cargo.site/t/original/i/7b4a568f4b85844d4dca711e0a727e4177dbf874b78b2f25b0fe5d612eb62ced/GWagner_Alternate-Image-3.jpg" data-mid="250470128" border="0"  src="https://freight.cargo.site/w/1000/i/7b4a568f4b85844d4dca711e0a727e4177dbf874b78b2f25b0fe5d612eb62ced/GWagner_Alternate-Image-3.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>DE NOVO</title>
				
		<link>https://gretchen-wagner.com/DE-NOVO</link>

		<pubDate>Fri, 22 Mar 2024 00:07:58 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/DE-NOVO</guid>

		<description>
	DE NOVO at Spalding Nix Fine Art


Opening ReceptionFriday, 22 MAR, 6-8 PM
Saturday, 23 MAR 12-4 PM

Browse and purchase works from the exhibition HERE.

The Color Interaction IV series challenges our ability to focus and perceive a single color independently. These paintings represent my fourth iteration of works inspired by Josef Albers’ exercises studying the interaction of color and Anni Albers’ textiles. The works mimic their combined attention to integrated craft, design, and art in both theory and application. 


The mixed-media paintings are more closely related to printmaking than painting in their systematic approach to independent layers of color application. To depict multiple color relationships at the same time, each painted, airbrushed, or embroidered layer creates new shapes and proportions within the composition. As these shapes overlap with one another the interactions become increasingly complex. Each painting utilizes the same composition in different color palettes to better study their similarities and differences. The multiplicity and slight variations imparted by my hand imitate my printmaking practice. 


The first layers are defined by fifteen concentric watercolor washes that increase in value and saturation. The softened corners and translucent edges appear out of focus in contrast with the hard edge of the next layer, a vertical accent airbrushed in concentrated watercolor. The final layer is a network of 7,650 glass beads, designed to create an illusion of simulated transparency, similar to the translucency experienced in a loosely woven textile. In combination, each layer challenges our eye’s ability to specify any one color relationship or identity when so many variables are changing simultaneously. 


https://spaldingnixfineart.com/show/spalding-nix-fine-art-de-novo

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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f522443b6b2dbb45758ef952bf8ccd5a2725896c3759fce30bfd8f3a7212c73b/De-Novo_insitu-a02.jpg" data-mid="250500743" border="0"  src="https://freight.cargo.site/w/1000/i/f522443b6b2dbb45758ef952bf8ccd5a2725896c3759fce30bfd8f3a7212c73b/De-Novo_insitu-a02.jpg" /&#62;

&#60;img width="2515" height="3353" width_o="2515" height_o="3353" data-src="https://freight.cargo.site/t/original/i/8ca04bd147f59f2ca1b34361bf3d199596215d3fe289c2c4a1134f4f4c6c7f92/Color-Interaction-IV_5.jpg" data-mid="207308261" border="0"  src="https://freight.cargo.site/w/1000/i/8ca04bd147f59f2ca1b34361bf3d199596215d3fe289c2c4a1134f4f4c6c7f92/Color-Interaction-IV_5.jpg" /&#62;
&#60;img width="2515" height="3353" width_o="2515" height_o="3353" data-src="https://freight.cargo.site/t/original/i/67ffa0e4184af80e7cc20e22d6792d1c3aadc9f787649ee49a4ac043b162fd0e/Color-Interaction-IV_7.jpg" data-mid="207308263" border="0"  src="https://freight.cargo.site/w/1000/i/67ffa0e4184af80e7cc20e22d6792d1c3aadc9f787649ee49a4ac043b162fd0e/Color-Interaction-IV_7.jpg" /&#62;
&#60;img width="2515" height="3353" width_o="2515" height_o="3353" data-src="https://freight.cargo.site/t/original/i/fb6b0f98d00c1f378f32420c9209feb1a348ae5241e321ae413a88117103dc88/Color-Interaction-IV_3.jpg" data-mid="207308259" border="0"  src="https://freight.cargo.site/w/1000/i/fb6b0f98d00c1f378f32420c9209feb1a348ae5241e321ae413a88117103dc88/Color-Interaction-IV_3.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>PROOF</title>
				
		<link>https://gretchen-wagner.com/PROOF</link>

		<pubDate>Thu, 03 Aug 2023 00:20:56 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/PROOF</guid>

		<description>
	PROOF


McEachern Art CenterOpening Reception, August 4, 7 PM
PROOF is an archive documenting Gretchen Wagner’s ongoing research, process, and exploration of color as both form and content.&#38;nbsp;

The monoprints in the show address the contemporary commercialization of color and craft synthesized through printmaking and embroidery. Each varied edition is designed to manipulate the material attributes of color and demonstrate the limitations in understanding color identity. These experiments are calculated to adjust hue, saturation, and value within the confines of a specific form that evolves throughout the exhibition. 

Motivated by her fascination with the inability to fully comprehend color, she utilizes the language of color to bridge theory and application; art and design; hand and machine. In attempting to study absolute color, Wagner observes the historical and contemporary distinctions of reproducible, immediate, mass-produced, situational, and paradoxical color.

https://www.macmacon.com/


	&#60;img width="1786" height="1194" width_o="1786" height_o="1194" data-src="https://freight.cargo.site/t/original/i/2e976e87ff25748b8e2a13b4fd067f4b80f3647b4601108a2d29f4a6d9308112/Proof_Postcard.jpg" data-mid="186855697" border="0"  src="https://freight.cargo.site/w/1000/i/2e976e87ff25748b8e2a13b4fd067f4b80f3647b4601108a2d29f4a6d9308112/Proof_Postcard.jpg" /&#62;

&#60;img width="9108" height="1202" width_o="9108" height_o="1202" data-src="https://freight.cargo.site/t/original/i/352b6fc880348521142daf557260e881d50a5921caef6c0b08677b85ffcd03e0/Proof_Plates.png" data-mid="186857240" border="0"  src="https://freight.cargo.site/w/1000/i/352b6fc880348521142daf557260e881d50a5921caef6c0b08677b85ffcd03e0/Proof_Plates.png" /&#62;

&#60;img width="5441" height="3242" width_o="5441" height_o="3242" data-src="https://freight.cargo.site/t/original/i/e84e4b68cc3c4a41944891f039aa543d4f3ba68d1bdcb6f2870bfb84303b20f8/Absolute-Color_8.jpg" data-mid="186857036" border="0"  src="https://freight.cargo.site/w/1000/i/e84e4b68cc3c4a41944891f039aa543d4f3ba68d1bdcb6f2870bfb84303b20f8/Absolute-Color_8.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>ABSOLUTE COLOR</title>
				
		<link>https://gretchen-wagner.com/ABSOLUTE-COLOR-1</link>

		<pubDate>Wed, 14 Jun 2023 18:49:41 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/ABSOLUTE-COLOR-1</guid>

		<description>
	ABSOLUTE COLOR
Painting M.F.A. Thesis ExhibitionSavannah College of Art and Design

SCAD StudioOpening Reception, May 20, 4-7 PM
“Absolute Color” is an archive documenting my research and exploration of color as both form and content.


This body of monoprints addresses the contemporary commercialization of color and craft synthesized through printmaking and embroidery. Each varied edition is designed to manipulate the material attributes of color and demonstrate the limitations in understanding color identity. These experiments are calculated to adjust hue, saturation, and value within the confines of a specific form that evolves throughout the discourse.


Motivated by my fascination with the inability to fully comprehend color, “Absolute Color” utilizes the language of color to bridge theory and application; art and design; hand and machine. In attempting to study absolute color, I was able to instead observe the contemporary distinctions of reproducible, immediate, mass-produced, situational, and paradoxical color.


	&#60;img width="2292" height="1050" width_o="2292" height_o="1050" data-src="https://freight.cargo.site/t/original/i/42b995eeed2c2dab8e206bef9f44471ffc99454484a004e252689fa4464865aa/Absolute-Color_Three-Color.jpg" data-mid="182076150" border="0"  src="https://freight.cargo.site/w/1000/i/42b995eeed2c2dab8e206bef9f44471ffc99454484a004e252689fa4464865aa/Absolute-Color_Three-Color.jpg" /&#62;

&#60;img width="3613" height="4928" width_o="3613" height_o="4928" data-src="https://freight.cargo.site/t/original/i/508ed4b9e0acd9a3b8e082d9dfd51b210ead5637c28fbb1556018cc79094c21b/B59A8148.jpg" data-mid="182076139" border="0"  src="https://freight.cargo.site/w/1000/i/508ed4b9e0acd9a3b8e082d9dfd51b210ead5637c28fbb1556018cc79094c21b/B59A8148.jpg" /&#62;


&#60;img width="5390" height="3593" width_o="5390" height_o="3593" data-src="https://freight.cargo.site/t/original/i/85595f8742ed2af88337b5c0e76182fe7d01b683e991313eeca7d87a5e0d278c/B59A8151.jpg" data-mid="182076140" border="0"  src="https://freight.cargo.site/w/1000/i/85595f8742ed2af88337b5c0e76182fe7d01b683e991313eeca7d87a5e0d278c/B59A8151.jpg" /&#62;
&#60;img width="5318" height="3310" width_o="5318" height_o="3310" data-src="https://freight.cargo.site/t/original/i/f5446b8a541266cd1dfed584b2da51ffcd904dce9b878defb11e636899de21b7/B59A8172.jpg" data-mid="182076142" border="0"  src="https://freight.cargo.site/w/1000/i/f5446b8a541266cd1dfed584b2da51ffcd904dce9b878defb11e636899de21b7/B59A8172.jpg" /&#62;
&#60;img width="3420" height="4319" width_o="3420" height_o="4319" data-src="https://freight.cargo.site/t/original/i/0e8853f04d0dc2c8c24acbdfbfde89f6ee2f456717fd13502c17d61ce5538971/B59A8234.jpg" data-mid="182076149" border="0"  src="https://freight.cargo.site/w/1000/i/0e8853f04d0dc2c8c24acbdfbfde89f6ee2f456717fd13502c17d61ce5538971/B59A8234.jpg" /&#62;
&#60;img width="3192" height="5399" width_o="3192" height_o="5399" data-src="https://freight.cargo.site/t/original/i/91fd74c3aa3a0a342b93fee97ffb0bd614b0829a330d4523489161e55b2084c8/B59A8135.jpg" data-mid="182076137" border="0"  src="https://freight.cargo.site/w/1000/i/91fd74c3aa3a0a342b93fee97ffb0bd614b0829a330d4523489161e55b2084c8/B59A8135.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Graphic Palindrome</title>
				
		<link>https://gretchen-wagner.com/Graphic-Palindrome</link>

		<pubDate>Wed, 15 Mar 2023 23:40:32 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/Graphic-Palindrome</guid>

		<description>
	Graphic Palindrome (Green), 2023
Graphic Palindrome (Blue), 2023
Graphic Palindrome (Violet),&#38;nbsp;2023
embroidered monoprint on paper, braided nylon18 x 24 inches

Defined by complement and temperature contrast.

	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5473d142440188cae263fd7bbdabd32e1ddeb52dc9583cf43b9649326739339c/Graphic-Palindrome-Green.jpg" data-mid="171828587" border="0"  src="https://freight.cargo.site/w/1000/i/5473d142440188cae263fd7bbdabd32e1ddeb52dc9583cf43b9649326739339c/Graphic-Palindrome-Green.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/82866ba315cf561b4449402607e2979d89926f0573e0103a0126c585b695cde9/Graphic-Palindrome-Blue.jpg" data-mid="171828585" border="0"  src="https://freight.cargo.site/w/1000/i/82866ba315cf561b4449402607e2979d89926f0573e0103a0126c585b695cde9/Graphic-Palindrome-Blue.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a782ce918a9534e57c130df148cf6b2c3f8c45090a6f313a346dec7a04efff96/Graphic-Palindrome-Violet.jpg" data-mid="171828588" border="0"  src="https://freight.cargo.site/w/1000/i/a782ce918a9534e57c130df148cf6b2c3f8c45090a6f313a346dec7a04efff96/Graphic-Palindrome-Violet.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Color Interaction III</title>
				
		<link>https://gretchen-wagner.com/Color-Interaction-III</link>

		<pubDate>Thu, 21 Jul 2022 17:14:28 +0000</pubDate>

		<dc:creator>Gretchen Wagner</dc:creator>

		<guid isPermaLink="true">https://gretchen-wagner.com/Color-Interaction-III</guid>

		<description>
	Color Interaction III (1-24), 2022

watercolor on paper, nylon, 765 Japanese seed beads
9 x 12 inches

A series of twenty-four embroidered watercolor paintings with schemes defined by&#38;nbsp;tetradic palettes. The results are paired paintings that&#38;nbsp;explore inverted color relationships.
18 HIGH chroma with solid color beads

6 LOW chroma with metallic beads


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